![]() Here’s the link should you be interested in listening to them in a podcast player:, or check it out on HuffDuffer where there are also links to open the feed directly in various podcast apps (should you be on a mobile device of some kind). After adding those to the respective posts on my site it occurred to me that it might be fun to record the texts and combine them with the examples, creating audio versions of the posts that could then be made available via a podcast feed.Īs is often the case, it took a little longer than anticipated to get everything in place, but it’s finally done – hopefully useful as a little review of the project. 81/80:32/31, things can get a little more complicated and so I’ve set up a spreadsheet to do the work for me, also including a representation of the interval in terms of cents using the following formula: 1200*log(n/d)/log(2) where n/d is your ratio.Īnd to make things a little more fun I’ve set up a small device using the Audulus 4 beta that uses the same principles to display both the ratio and the cents of any two notes played on the keyboard in real time.Ī background project that I’ve been busy with during the course of the last few months has been making recordings of the demo patches that I’d put together for my series of Audulus Hordijk Modules. With some of the more complex ratios, e.g. So in the case of 4/3 and 3/2 we would have 3×3=9 and 4×2=8, which gives us the ratio of 9/8, which we know is the major whole tone that we have between a perfectly tuned fourth and fifth. In his book Genesis of a Music Partch himself points out that it’s easy to calculate the ratio between two ratios by simply inverting the smaller of the two and using that to multiply the other. SOS Synth Secrets - 4 - Of Filters & Phase dulus (5.One thing is having all the ratios of the Partch 43-tone scale nicely presented with this keyboard layout but how does one get a handle on the ratios between the ratios?.SOS Synth Secrets - 3 - Modifiers and dulus (29.3 KB).This will be an ongoing project, follow this topic to see when new patches are posted. I’ll also be posting Audulus patches that illustrate the concepts highlighted in each article. This topic will be locked to prevent comments from piling up, but please feel free to start your own topics about articles in this guide. Some articles are duplicated here and there, and that’s on purpose (formant applies to both Filter and Synthesis, for example). To turn this series into more manageable bite-sized chunks, I also grouped the articles into roughly sketched subjects. The articles have a general throughline, but can be a bit intimidating when taken all at once. I suggest you read it from start to finish, but if you already have a basic understanding of synthesis, feel free to jump around.īelow, I’ve first linked to each article in the order it was published, from 1999 through 2004. Most of what you see in this guide is easily translated into Audulus, almost node-by-node. Great for beginners and seasoned experts alike, the Sound on Sound Synth Secrets guide by Gordon Reid should be required reading for all serious synthesists. If you read only one guide to synthesis, let it be this.
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